Je tomare cay toma pane cay

Je tomare cay toma pane cay
Music and lyrics ; by Prabhat Ranjan Sarkar
Song number	0516
Date	1983 May 16
Place	Madhumalainca, Kolkata
Theme	Longing
Lyrics	Bengali
Music	Dadra
Audio
License	NoteNone of the information in this article or in the links therefrom should be deemed to provide the right to reuse the melody, lyrics, or translation of any Prabhat Samgiita song without prior permission from the copyright holder.
Location in Sarkarverse
Prabhat Samgiita portal

Je tomare cay toma pane cay is the 516^th song of Prabhat Ranjan Sarkar's Prabhat Samgiita.^[1]^[2]

Lyrics

Roman script^{[nb 1]}	Bengali script	Translation
Je tomáre cáy tomá páne cáy (Tumi kena) Táre náhi cáo Áṋdhára nishiithe álo jhará práte Múk haye kena rao Ákásha pátháre áloke áṋdháre Caleche phuler dal Kata jhare jáy shatadal Sabára lágiyá sabáre cáhiyá Kena dhará náhi dáo Niirava carańe varańe varańe Tákáy áshá mukul Kata cáoyá haye jáy bhul Nirvák theke niirava dyuloke Kon se viińá bájáo	যে তোমারে চায় তোমা পানে চায় (তুমি কেন) তারে নাহি চাও আঁধার নিশীথে আলো-ঝরা প্রাতে মূক হয়ে কেন রও আকাশ-পাথারে আলোকে আঁধারে চলেছে ফুলের দল কত ঝরে যায় শতদল সবার লাগিয়া সবারে চাহিয়া কেন ধরা নাহি দাও নীরব চরণে বরণে বরণে তাকায় আশা-মুকুল কত চাওয়া হয়ে যায় ভুল নির্বাক থেকে নীরব দ্যুলোকে কোন সে বীণা বাজাও	Those who long for You, who look to You, Them why don't You see? At darkest night and in bright morning, Why do You keep mute? On sky and sea, in light, in gloom, A band of flowers, they have moved; But many hundred-petaled loti^{[nb 2]} droop. For the good of all, to be impartial, Why not let Yourself be held? With many hues, approaching silently, Hope's bloom gazes toward Thee; Neglected is much yearning. In a soundless heaven keeping mum, What is that lute You strum?

Notes

^ For details on the notation, see Roman Bengali transliteration.
^ In yoga, meditation on the Supreme Guru is typically performed at the guru cakra. The guru cakra is visualized as a hundred-petaled lotus, and the Guru is seated therein. The guru cakra is located just below sahasrára cakra (the thousand-petaled plexus), located at or just above the anterior fontanelle.

References

^ Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 501-600 Translated by Acarya Abhidevananda Avadhuta (3rd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082X65YMB ISBN 9781386728276
^ Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 2 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-084-0

Musical notations

Original Sargam notation, if available on Sarkarverse

Recordings

Listen to the song Je tomare cay toma pane cay sung by Acarya Priyashivananda Avadhuta on Sarkarverse

Preceded by Tomar katha ogo prabhu	Prabhat Samgiita 1983 With: Je tomare cay toma pane cay	Succeeded by Ami tomay kabhu bhulibo na

[3] For details on the notation, see Roman Bengali transliteration.

[4] In yoga, meditation on the Supreme Guru is typically performed at the guru cakra. The guru cakra is visualized as a hundred-petaled lotus, and the Guru is seated therein. The guru cakra is located just below sahasrára cakra (the thousand-petaled plexus), located at or just above the anterior fontanelle.

[PSV6-1] Sarkar, Prabhat Ranjan (2019) Prabhat Samgiita Songs 501-600 Translated by Acarya Abhidevananda Avadhuta (3rd ed.) Tel Aviv: AmRevolution, Inc. ASIN B082X65YMB ISBN 9781386728276

[PRS_Vol2-2] Sarkar, Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 2 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-084-0

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[2]

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